Pam lets Roy take her home after Phyllis’ Wedding.
Sometimes you just listen to Tegan and Sara’s entire discography, get lost in your feels about early Grey’s (particularly that time Meredith slept with George) and write this…
"When you're a kid, you assume your parents are soulmates. My kids are gonna be right about that."
Pam on soulmates and finding her person.
He's scared to face his future. She's struggling with her past. Two brokenhearted strangers. One night in New York City.
Inspired by Before We Go
"This morning, phone guy comes in, and he shows Michael that our phones have a PA function... and then he just, left..."
Pam thinks of Jim.
Set somewhere in the midst of Season 2.
A young Pam feels trapped in a vicious cycle of flashbacks and fighting for her life. She recounts where it all went wrong until someone breaks her out of her trance.
An AU that may be pretty far-fetched and my first fic for The Office!
Anything can happen on Halloween.“W-why did you call…me?”...Toby paused, “well…it’s-it’s Pam. And uh-um…well you’re…you’re her emergency contact, Jim.” Season 3 AU of cocktails and it’s aftermath
This story started out being a one-shot inspired by the Taylor Swift song Gorgeous, but then it became so much more. Thanks to Coley for reading and giving feedback.
Pam and Jim meet right before Jim starts at Dunder-Mifflin. Pam develops a crush on Jim and has to figure out what to do about it.
Jim and Pam say the wrong things at the wrong times..
A look at Pam’s Season 3 journey through the eyes of her art instructor.
“Marla always started off the term asking students to fill out a survey about themselves... There wasn’t much on Pam’s paper; a few neatly written words that she worked as a receptionist, hadn’t taken art classes since high school, and liked watercolors best.”
Loosely set between S03E11, "Back from vacation" and S03E12, "Traveling Salesmen".
It's that magical Friday again, but Michael is too busy trying to improve his morale with the warehouse guys. And he is not afraid of bringing the big guns. After all, what could go wrong?
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